Weinen, Klagen, Sorgen, Zagen (Weeping, lamenting, worrying, fearing), BWV 12, is a church to form the Crucifixus movement of the Credo in his Mass in B minor. Franz Liszt based extended keyboard compositions on the same material. This paper presents an analytical view of Liszt’s Variations on J. S. Bach’s Weinen, Klagen, Sorgen, Zagen motive, and in particular examines. Here you will find a variety of high quality sheet music for Organ for beginners and advanced players! Order fast & secure, even without regist.

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Weinen, Klagen, Sorgen, Zagen, S.179 (Liszt, Franz)

He composed it in Weimar for Jubilatethe third Sunday after Easterand led the first wrinen on 22 April in the Schlosskirchethe court chapel of the Schloss in Weimar. Retrieved from ” https: Franck contends that this is true not only for the disciples who were addressed directly, but for every Christian. Church cantatas by Johann Sebastian Bach.

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The form of the aria follows the bar form of the chorale instead of the usual da capo form. Ich folge Christo nach. The closing chorale, ” Was Gott tut, das ist wohlgetan ” What God does, is well done[1] [12] is set for four parts, illuminated by an instrumental obbligato part. Retrieved 11 August The Schlosskirche in Weimar.


Weinen, Klagen, Sorgen, Zagen, BWV 12 – Wikipedia

From Wikipedia, the free encyclopedia. Retrieved 16 April Retrieved 15 April The ninth repeat is similar to the first, but in more extreme harmonies.

This page was last edited on 13 Novemberat Bach repeats the beginning text four times, while the singular destination appears only once. He composed Weinen, Klagen, Sorgen, Zagen as the second cantata in the series, on a text probably written by court poet Salomon Franck. During the last aria, ” Sei getreu, alle Pein ” Be faithful, klagfn pain[1] the trumpet plays the chorale tune ” Weinne, meine Freude ” as a cantus firmus ; [11] Bach may have thought of the stanza “Weicht, ihr Trauergeister” Go away, mournful spirits.

Between Trinity and Advent: Kampf is sung as a melisma with a trill in measure 15, the preciousness of the jewel appears as a trill in the voice or the accompaniment. The music illustrates the union of the four contrasting elements all beginning with K: Retrieved 12 August Retrieved 16 August Bach was appointed Konzertmeister in Weimar in the spring ofa position that called for the performance of a jlagen cantata each month.

The Prelude of is a dignified and restrained piece with just one dramatic outburst, all within kpagen framework of a passacaglia which unfolds 25 variations on the motif.

Gottes verborgenes und offenbares Handeln in Bachs Kantaten in German. Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the weinsn century to the twenty-first. The cantata is scored for three vocal soloists, a four-part choir, trumpetoboebassoon aeinen, two violinstwo violasand basso continuo. By using this site, you agree to the Terms of Use and Privacy Policy.


Sei getreu, alle Wenen. Church cantata by J. The text is also repeated in the middle section, as Bach was still experimenting with the da capo form.

Masaaki Suzuki Bach Collegium Japan. The prescribed readings for that Sunday were from the First Epistle of Peter”Submit yourselves to every ordinance of man” 1 Peter 2: In the following table of the movements, the scoring follows the Neue Bach-Ausgabe.

Beginning with the highest voice, each part sings an extended sigh. Bach first performed the cantata in the Weimar court chapel on 22 Aprilthen performed it in Leipzig in his first year as Thomaskantor on 30 April The complete music for solo piano, Vol.